“Solitaire” (Wilco Cover)

For Wilco (the album) chords and lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to another all-new edition of “Chris Moore Monday” here at the best acoustic rock cover song blog on the web today!  For the first time in almost three months, it is my pleasure to bring you a song that has yet to be released.

“Solitaire” is a track from Wilco’s new album, which will be released tomorrow and is titled Wilco (the album).  A few weeks ago, Wilco streamed the entire album on their website for fans to listen to.  This is a tradition stretching back to when they streamed Yankee Hotel Foxtrot online after being dropped from their label at the turn of the millennium.  This time around, I even broke my general rule of waiting to hear an album until it is released in full.  While I couldn’t pass up an opportunity to listen, I also felt like I was breaking a sacred rule, as well as building myself up for disappointment when they stopped streaming it and I had to wait for the album to come out on June 30th.

My solution?

I decided to listen to it only once straight through, and I ended up talking on the phone and doing other work, so I got only a taste of what is to come tomorrow on New Music Tuesday.

From what I heard, I am very much looking forward to hearing the album in full through my car stereo and without distractions.  To help prepare and build up anticipation for tomorrow, I found a YouTube recording of the eighth track, “Solitaire,” and I actually found a good set of chords online already to help me learn the song.  Go figure: accurate chords online…

Anyway, I’m off to watch a replay of last week’s episode of TNA Impact! with Jim, Mike, and their father.  Apparently, their dad was also out of town and missed what has been said to be one of the best Impact!‘s of the year.  I’m excited, and thus I’m cutting my post a bit shorter than usual tonight so I don’t miss any.

I’ll be back soon with more writing and posting than usual if I have my way, as I am officially on summer break and beginning to plan out the next two months so that they are relaxing, and yet productive.

See you next session!

Ranking every Beach Boys album and song: “Surfer Girl” LP (by Songwriter Jim Fusco)

By Jim Fusco:

ALBUM – SURFER GIRL

Hawaii – 7
Surfer Girl – 9
In My Room – 9
Catch A Wave – 8
Little Deuce Coupe – 8
(great blues song)
Surfer Moon – 8
Surfers Rule – 5

Our Car Club – 6 (I like it better on the Little Deuce Coupe album!)
Boogie Woodie – 3
Your Summer Dream – 7

The Rocking Surfer – 2
South Bay Surfer – 1 (ugh)

** Other than a little flakiness at the end of the album, this is a GREAT one- some classics on Side One and the songs I like, I like a LOT. **

Ranking every Beach Boys song/album: “Summer Days (and Summer Nights!!!)” (by Songwriter Jim Fusco)

By Jim Fusco:

Hi Mike and hello to all other participators. Here is my weigh-in for the “Summer Days (And Summer Nights!!!)” album- a true classic.

SUMMER DAYS (AND SUMMER NIGHTS!!)

California Girls – 10 (An American classic- especially for a Beach Boys fan, it just simply doesn’t get much better than this. I have to rank this a 10, even though I believe God Only Knows deserves the undisputed highest spot.)
Salt Lake City – 7
*The Little Girl I Once Knew – 10 (A long-standing choice for my favorite Beach Boys song of all-time. It’s still gotta be in my Top 3)
The Girl from New York City – 6 (It’s okay, but very much under-produced compared to the rest of the album and they seem to be a bit more sloppy. I do like Mike’s overly-low backing vocals, though!)
Help Me, Rhonda – 10 (You know, it’s kind of expected that people will give songs like this a 10, but if you just sit back and LISTEN to this version of “Help Me Rhonda”, you have to realize it’s an incredible song. It’s catchy, but still has substance. It truly is that “Beach Boys” sound. I love Mike’s low part in this tune, as well.)
Let Him Run Wild – 10 (This is one of the best songs EVER- it’s unique and has that incredible chord progression. I think the bass line and the sound of the bass in this song is the best of any song I’ve ever heard. Brian’s vocals are perfect and the emotion is heartbreaking. I can’t believe I’m putting so many 10’s on this album!)
*Let Him Run Wild (alternate) – 8 (Brian’s vocals don’t have that edge like the final version)
You’re So Good to Me – 6.5 (Still a great song, but its simplicity just doesn’t match up with the rest of the classics. Also, those “la’s” in the background get annoying to anyone but true Beach Boys fans)
And Your Dream Comes True – 5
Then I Kissed Her – 6.5 (One of their best covers- a great lead by Al!)
Girl Don’t Tell Me – 8 (Catchy and a great little jab to the Beatles style of the period. Carl gives a great vocal performance, as well.)
Amusement Parks USA – 3 (All I can say is: eh)
Summer Means New Love – 3 (I like the tune and the production, but it’s kind of elevator-music sounding)
I’m Bugged at My Ol’ Man – 5 (This is a really cute song with great vocals by Brian, bad vocals by the others, and a truer-than-it’s-supposed-to-sound lyrics)

** This album IS the Beach Boys on record, as far as the 60s are concerned. This album is what “Sunflower” is to the 70’s Beach Boys. “Summer Days” defines the Beach Boys sound, especially on cuts like “California Girls”. I would challenge anyone to give this album a bad review. It still has that innocence I love so dearly, but pushes the musical envelope as far as it can go without getting too serious. This album is really the farthest Brian could go before getting into the emotions and themes he did on “Pet Sounds” and “Smile”. For me, this album marks the end of an era and the Beach Boys just wouldn’t be the same after this. That early-60s summer fun, teenager, innocence just evaporated when “Pet Sounds” arrived. Of course, I’m not saying that the music to come wasn’t some of the greatest ever, but looking back, I wish they could’ve stayed innocent for just a couple more years… **

Bob Dylan’s “Christmas in the Heart” (2009) – The Weekend Review

By Chris Moore:

Throughout Christmas in the Heart, Bob Dylan and his band are clearly enjoying themselves, embracing the timelessness of the Christmas music genre.  More specifically, Dylan and company are transporting themselves and their listeners back to a simpler time of deceptively simple songs and sentiments.

Still, not every nostalgia-inducing feature is practiced or purposeful.  For instance, that’s not static you hear on your compact disc or mp3 copy — that’s just Dylan’s voice.

Over the fifteen songs that comprise this new album, Dylan moves fluidly between the religious and the imaginative, from solemn, sacred hymns describing the birth of Jesus Christ to classic tunes about jolly old Saint Nicholas himself, Santa Claus.

Interestingly, this is the first time Dylan has included more than thirteen tracks on a studio release since 1970’s Self Portrait, the runner up being 1992’s Good As I Been To You, clocking in at thirteen tracks.  Granted, these are not the most positive comparisons in his considerable catalog, but fortunately, the comparisons end at the track count.

Christmas in the Heart is a unified collection of songs that are unlike anything Dylan has recorded before, and yet they somehow fit perfectly with the material he has released in the past decade or so.  Ever since the two albums of covers he released in 1992 and 1993, Dylan has seemingly been drawn to the sounds and styles of the past.  2001’s Love and Theft saw a wide variety of styles, and the songs on both Modern Times (2006) and this year’s Together Through Life have progressively relied on mid-20th century styles and arrangements.

In many ways, this is the most logical time for Dylan to contribute to the very American tradition of popular Christmas music.

Bob Dylan's "Christmas in the Heart" (2009)

Bob Dylan's "Christmas in the Heart" (2009)

I will admit that, upon a first listen, I was unimpressed.  Bob Dylan fanatic that I am, the deterioration of his voice initially alienated me and I felt distanced from these classic compositions, most of which I had heard before in at least one or more arrangements.

“The Christmas Blues” is perhaps the most Dylan-esque of the tracks, especially when considering the predominance of recent Dylan tunes with blues structures, the harmonica solo, and the more serious, even downtrodden tone.  In this song, his vocals are stretched and utilized to heartfelt effect.

As I listened a second and third time, the subtlety of these tracks began to set in.  The lead guitar in “Do You Hear What I Hear?” that more than adequately takes the place of the typical “answer” vocal components, the choral background singers with spot-on, traditional harmonies, and the variations in Dylan’s vocals — the rough edges in “Little Drummer Boy” and “Have Yourself a Merry Little Christmas,” the softened edges in “Christmas Island” — all contribute to what is largely a relaxing and entertaining record.

Is there a better description for a Christmas album?

What strikes me about Christmas in the Heart is the proof which it provides for the argument that this time of year is a special season, one which captivates the hearts and souls of men and women and inspires us to be better people.  Certainly, if Bob Dylan put this much effort into not only a holiday album, but also a specifically Christmas-themed release, then there must be something to be said about the power of music influenced by the Christmas spirit.

Dylan, known for turning around and surprising even his most loyal fanbase, has done it again.  It may not be as revolutionary as going electric, or as polarizing as songwriting from an explicitly born-again Christian perspective, but it is at least as dramatic a development in his career.  Rarely has Dylan prepared such well-known cover songs for a studio release, much less songs with such a concrete set of lyrics and straightforward message.

If nothing else, this album will provide some interesting fodder for the ongoing “Is he Christian?/Is he Jewish?” debate that continues to rage on…

For me, Christmas in the Heart is a clear reminder of the universal qualities of the Christmas spirit.  It is an album that further diversifies Dylan’s hand in American popular music, and likewise carries the torch for another generation to hear and appreciate a style that originated almost six decades ago.

All in all, Christmas in the Heart would make for a strong addition to any pop/rock music fan’s Christmas album collection.