“Must Be Santa” (Cover by Bob Dylan) – Chords, Tabs, & How to Play

To see how it’s played in a music video, CLICK HERE!

“Must Be Santa”
Hal Moore & Bill Fredericks – Covered by Bob Dylan

A
Who’s got a beard that’s long and white?
E
Santa’s got a beard that’s long and white.
A
Who comes around on a special night?
E
Santa comes around on a special night.
A
Special night, beard that’s white.
D           E
Must be Santa,
A            Bm
Must be Santa,
D           E                    A
Must be Santa, Santa Claus.

Who wears boots and a suit of red?
Santa wears boots and a suit of red.
Who wears a long cap on his head?
Santa wears a long cap on his head.
Cap on head, suit that’s red.
Special night, beard that’s white.
Must be Santa,
Must be Santa,
Must be Santa, Santa Claus.

Who’s got a big, red cherry nose?
Santa’s got a big, red cherry nose.
Who laughs this way: “Ho, ho, ho”?
Santa laughs this way: “Ho, ho ho.”
Ho, ho ho; cherry nose.
Cap on head, suit that’s red.
Special night, beard that’s white.
Must be Santa,
Must be Santa,
Must be Santa, Santa Claus.

Bb
Who very soon will come our way?
F
Santa very soon will come our way.
Bb
Eight little reindeer pull his sleigh;
F
Santa’s little reindeer pull his sleigh.
Bb
Reindeer sleigh, come our way.
Ho, ho, ho; cherry nose.
Cap on head, suit that’s red.
Special night, beard that’s white.
Eb         F
Must be Santa,
Bb         Cm
Must be Santa,
Eb          F                   Bb
Must be Santa, Santa Claus.

B
Dasher, Dancer, Prancer, Vixen —
F#
Eisenhower, Kennedy, Johnson, Nixon.
B
Dasher, Dancer, Prancer, Vixen —
F#
Carter, Reagan, Bush, and Clinton.
B
Reindeer sleigh, come our way.
Ho, ho, ho; cherry nose.
Cap on head, suit that’s red.
Special night, beard that’s white.
E           F#
Must be Santa,
B           C#m
Must be Santa,
E           F#                  B
Must be Santa, Santa Claus.

Must be Santa,
Must be Santa,
Must be Santa, Santa Claus.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“The Man Who Sold The World” (David Bowie Cover)

By Jeff Copperthite:

That’s right, ladies and gentlemen.  It’s that time…that’s right…Thumpin’ Thursday!  Who doesn’t enjoy a great dose of their Laptop Sessions on the second best day of the week – and it’s right after the best day of the week!

This next song is sort of by request – Jim mentioned it in recent correspondence that this song was covered by Nirvana, and we have not done either Nirvana, or the guy who wrote the song David Bowie.

What better day than Thumpin’ Thursday to fix both of those things in one session?

Therefore, here comes Jeff Copperthite with the “cover of a cover” version of David Bowie’s classic “The Man Who Sold The World” from his album of the same name.  The cover version was featured on the widely played Nirvana edition of the show “MTV Unplugged”.  I thoroughly enjoyed that series when it was on the air, and some of my favorite bands were lucky enough to be featured on that show while it lasted.

I recorded this in the same session as my previous U2 video, and again, I look tired.  I feel a lot better today than how I look in this video.  I couldn’t get a solid take where I played the riff cleanly, and eventually cut out some parts with the riff.  I also came in just a bit too early on one part.  Nobody has pointed it out in my recent video (what I did wrong), but I am very pleased on the positive feedback I have gotten from that video.

But now, you get to enjoy this version on a great Thursday.  I hope you enjoy it, and return for Jim’s fantastic Friday edition tomorrow!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“Excitable Boy” (Warren Zevon Cover)

By Chris Moore:

There’s lots of good stuff happening here at guitarbucketlist.com! I’ve been spurred on by Jim and Jeff’s recent plans for releases and by all of Jim’s tireless work designing the website, so I have a couple “extra’s” for you today.

First of all, I posted my review of Ringo’s Liverpool 8 album a half hour ago. (Another goal of mine this year is to write at least brief reviews of all the new albums I buy this year.) In the coming days and weeks, you can look for reviews of both Sheryl Crow’s and Jack Johnson’s new albums that came out today.

In addition to the CD review, I have also posted a second “Behind the Scenes” video. I had the idea to make this short film when I was recording the session for Warren Zevon’s “Excitable Boy.” It’s really cheesy, but it was easy and fun to make, and I wanted to share it with you all.

Finally, of course, I have posted my second song from one of my absolute favorite artists, Warren Zevon. You may know him for “Werewolves of London,” but he has written so much more! This is one of his more well-known songs and I hope you enjoy it. It’s somewhat disturbing, but if you think about the overall idea of the song, it’s actually an interesting statement from Zevon.

I hope you enjoy all the new posts to be found on the site today, and you can look forward to all-new material from Jeff and Jim in the days to come as “a session-a-day keeps the viewers…um, coming back to guitarbucketlist.com” continues!


“Wilted Rose” by the Vanity Project – Chords, Tabs, & How to Play

To see how it’s played in the cover song music video, CLICK HERE!

“Wilted Rose”
The Vanity Project

Intro:  Am   F   G   C – G – Am   F   G   Em

Am        F                 G                       C  –  G  – Am           F          G        Em
I almost cried on the day my country died;          I almost tried to care.
They built a wall to protect them from us all; we should have left them there.

Am – G – C                Dm     G    Am – G   –   C            Dm      E
Rev   o   lution is the first to go;   the rest is forced to stay…

A                       D                     E        F#m             Bm       D          E
Shall I cast this out, this wilted rose?  Yeah, yeah, yeah — no, no, no.
Like Pierre Trudeau’s walk out in the snow, can it be time to leave?

I spent my youth thinking people spoke the truth; now it’s hard to think.
Was I naive to say I do believe that none of us should sink?

They sold us out, and they sold us short.  And we’re the ones who’ll have to pay…

Shall I cast this out, this wilted rose?  Yeah, yeah, yeah — no, no, no.
Like Pierre Trudeau’s walk out in the snow, can it be time to leave?

E       Am       F             G                      C              G        Am          F           G     Em
Don’t go; you know, it’s all the same to me these days, I swear it’s hard to care.

SOLO: over intro chords

Revolution is the first to go; the rest is forced to stay…

Shall I cast this out, this wilted rose?  Yeah, yeah, yeah — no, no, no.
Like Pierre Trudeau’s walk out in the snow, can it be time to leave?

Shall I cast this out, this wilted rose?  Yeah, yeah, yeah — no, no, no.
Like Pierre Trudeau’s walk out in the snow, can it be time to leave?

Don’t go; you know, it’s all the same to me these days, I swear it’s hard to care.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **