Tag Archives: laptop sessions

“Will It Grow” (Jakob Dylan Cover)

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For Jakob Dylan chords & lyrics, CLICK HERE!

By Chris Moore:

I hope you enjoy seeing me with hair tonight, because as of Wednesday evening, it’s gone!  That’s right — I’ve decided to shave it all off.  Well, maybe “decided” is a strong word.  One of my colleagues, one who offered a great deal of useful advice during my first year teaching, asked me if I would join an English department team for this year’s “St. Baldrick’s” event.  I couldn’t turn down an opportunity to join in with my fellow English teachers, and as you may know, it isn’t all that often that someone asks me to join a team!  So, off goes the hair in the name of raising money to fight children’s cancer.  I’m currently at the bottom of the list of fundraisers on my team (listed online as $0, although I have raised about $65 from staff and students at school that will be added tomorrow).

If you’re interested in supporting this excellent cause, just CLICK HERE!

So, you may be wondering: what does this have to do with the Laptop Sessions?  Well, the answer should be clear if you read the title of my song choice tonight.  I thought “Will It Grow” would be a fitting question to ask on the eve of my head being shaved.  Of course, Jakob Dylan isn’t referring to hair, but I was able to add a bit more emotion to my interpretation of this track all the same.

“Will It Grow” was released in 2008 on Dylan’s solo album Seeing Things.  Since Jeff recorded “Something Good This Way Comes” prior to its release, I never felt the need to record a track from the album.  To be honest, I wasn’t as impressed with this album as I could have been.  Of all people, I should be able to appreciate a set of good acoustic performances.  That being said, it’s difficult to listen to an all-acoustic album from the front man for the Wallflowers — they’re such an incredible rock band!

Now, almost two years removed, I came back to Seeing Things by chance and thought it was a shame that I had never covered one of the tracks.  Not surprisingly, I found a set of chords online riddled with errors and transcribed for a capo.  I love capos as much as the next guy — and probably more! — but if it’s not necessary, I can’t see a good reason to use the capo.  Thus, I posted the chords here at the Laptop Sessions for those interested in a more straightforward, accurate description of how to play the song.  I can certainly understand how the errors may have been made, as I found it a bit difficult to pick up all the chord changes over the intricate fingerpicking.  Eventually though, I think I came to a fairly solid version of what Dylan originally intended.  I hope so — Jakob Dylan is one of my all-time favorite songwriters, so I took it very seriously.

In other Laptop Sessions news, I recently went through all the music reviews I posted previous to “The Weekend Review” series and added a rating out of five stars.  Why did I take the time to do this?  Well, initially I felt that ratings were arbitrary and that I really wasn’t qualified to make those sorts of judgments on music.  After all, I wouldn’t want someone assigning a low rating to the music I poured my heart into.  Still, the more I’ve been thinking about it, the more I realize how important the rating is to the review as a whole.  After all, half the fun of reading reviews is agreeing or disagreeing with the author’s rating.  Thus, how can I deny my readers (however few of them there are ;- ) the opportunity to think I’m right on, far off, or somewhere in between?  It was fun going back to these albums; most reviews I wrote before the Weekend Review were based on albums I loved, so that didn’t hurt.  And it reminded me of how much I enjoy holding to a weekly writing schedule.  It may be difficult at the time to carve out an hour or so on a Sunday to write, but it gives me a good reason to skim through my CD rack on Friday or Saturday to choose an album to listen to throughout the weekend.

Other than shaving my head, this week should be pretty normal.  I still have to get used to TNA Impact! being on Mondays.  It’s a great way to kick off the week, a relaxing night with friends and comfort food and wonderfully mindless television entertainment, but I do miss being able to look forward to Thursday nights.

Finally, I thought the new Locksley album was supposed to be out tomorrow, but it wasn’t listed on the Newbury Comics newsletter today.  Luckily, the White Stripes are releasing their first live CD this week — more and more, I’ve been growing fond of Jack White’s work, particularly with his side projects.  So, I’ll give it a shot and let you know…

See you next session!

“Breakfast at Tiffanys” (Deep Blue Something Cover)

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By Jeff Copperthite:

Welcome to your first video installment of Thumpin’ Thursday!  It’s Jeff coming at you this evening with a new band tonight.

This song is sort of a one-hit wonder from a band called “Deep Blue Something”.  You should recognize the song almost immediately because it was widely played on the radio in the mid 90’s.  I even vaguely remember watching a video of this song.

It’s a very easy song to play too: The verse is D G A, and the chorus is D A G.

I apologize for the tersely written post this evening.  We’re right in the middle of final exam season at school.  Next time I post it will be when I am a science teacher for the remainder of the year.

See you then!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Bob Dylan’s “Christmas in the Heart” (2009) – The Weekend Review

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By Chris Moore:

Throughout Christmas in the Heart, Bob Dylan and his band are clearly enjoying themselves, embracing the timelessness of the Christmas music genre.  More specifically, Dylan and company are transporting themselves and their listeners back to a simpler time of deceptively simple songs and sentiments.

Still, not every nostalgia-inducing feature is practiced or purposeful.  For instance, that’s not static you hear on your compact disc or mp3 copy — that’s just Dylan’s voice.

Over the fifteen songs that comprise this new album, Dylan moves fluidly between the religious and the imaginative, from solemn, sacred hymns describing the birth of Jesus Christ to classic tunes about jolly old Saint Nicholas himself, Santa Claus.

Interestingly, this is the first time Dylan has included more than thirteen tracks on a studio release since 1970’s Self Portrait, the runner up being 1992’s Good As I Been To You, clocking in at thirteen tracks.  Granted, these are not the most positive comparisons in his considerable catalog, but fortunately, the comparisons end at the track count.

Christmas in the Heart is a unified collection of songs that are unlike anything Dylan has recorded before, and yet they somehow fit perfectly with the material he has released in the past decade or so.  Ever since the two albums of covers he released in 1992 and 1993, Dylan has seemingly been drawn to the sounds and styles of the past.  2001’s Love and Theft saw a wide variety of styles, and the songs on both Modern Times (2006) and this year’s Together Through Life have progressively relied on mid-20th century styles and arrangements.

In many ways, this is the most logical time for Dylan to contribute to the very American tradition of popular Christmas music.

Bob Dylan's "Christmas in the Heart" (2009)

Bob Dylan's "Christmas in the Heart" (2009)

I will admit that, upon a first listen, I was unimpressed.  Bob Dylan fanatic that I am, the deterioration of his voice initially alienated me and I felt distanced from these classic compositions, most of which I had heard before in at least one or more arrangements.

“The Christmas Blues” is perhaps the most Dylan-esque of the tracks, especially when considering the predominance of recent Dylan tunes with blues structures, the harmonica solo, and the more serious, even downtrodden tone.  In this song, his vocals are stretched and utilized to heartfelt effect.

As I listened a second and third time, the subtlety of these tracks began to set in.  The lead guitar in “Do You Hear What I Hear?” that more than adequately takes the place of the typical “answer” vocal components, the choral background singers with spot-on, traditional harmonies, and the variations in Dylan’s vocals — the rough edges in “Little Drummer Boy” and “Have Yourself a Merry Little Christmas,” the softened edges in “Christmas Island” — all contribute to what is largely a relaxing and entertaining record.

Is there a better description for a Christmas album?

What strikes me about Christmas in the Heart is the proof which it provides for the argument that this time of year is a special season, one which captivates the hearts and souls of men and women and inspires us to be better people.  Certainly, if Bob Dylan put this much effort into not only a holiday album, but also a specifically Christmas-themed release, then there must be something to be said about the power of music influenced by the Christmas spirit.

Dylan, known for turning around and surprising even his most loyal fanbase, has done it again.  It may not be as revolutionary as going electric, or as polarizing as songwriting from an explicitly born-again Christian perspective, but it is at least as dramatic a development in his career.  Rarely has Dylan prepared such well-known cover songs for a studio release, much less songs with such a concrete set of lyrics and straightforward message.

If nothing else, this album will provide some interesting fodder for the ongoing “Is he Christian?/Is he Jewish?” debate that continues to rage on…

For me, Christmas in the Heart is a clear reminder of the universal qualities of the Christmas spirit.  It is an album that further diversifies Dylan’s hand in American popular music, and likewise carries the torch for another generation to hear and appreciate a style that originated almost six decades ago.

All in all, Christmas in the Heart would make for a strong addition to any pop/rock music fan’s Christmas album collection.

Best Covers of 2012: A Weekend Review Special Edition

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By Chris Moore:

The BEST COVER SONGS of 2012

 

As I have previously written about, covers are typically of little interest to me (which is, of course, ironic when considering the large number I have played over the years).  Of course, I typically end up hearing a few that stand out, and this year, they were almost all on the Amnesty International charity album Chimes of Freedom.  Sadly, though the compilation included over seventy songs from a vast range of artists, there were only a handful worthy of recognition.  My favorite cover song of the year, however, is the one unearthed on the soundtrack to the Martin Scorcese documentary based on George Harrison’s life: it is Harrison’s cover of his friend Bob Dylan’s song “Mama You’ve Been On My Mind.”  It is a stripped down, acoustic cover, but it is brilliant and the beauty radiates warmly from this simple yet nuanced performance.

 

1)  “Mama You’ve Been On My Mind” – George Harrison

2)  “One Too Many Mornings” – Johnny Cash, Bob Dylan, and the Avett Brothers

3)  “You Ain’t Goin’ Nowhere” – Brett Dennen

4)  “Mr. Tambourine Man” – Jack’s Mannequin

5)  “Ring Them Bells” – Natasha Bedingfield

 

Honorable Mention:

“Ballad of Hollis Brown” – Rise Against