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“After Midnight” (J.J. Cale, Eric Clapton Cover)

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For J.J. Cale / Eric Clapton chords and lyrics, CLICK HERE!

By Chris Moore:

Okay, so before I explain my song choice tonight, I have to briefly address the music video I just watched.  I really do love music videos, and it seems a lost art.  Interestingly enough, it seems that the MTV show “Total Request Live,” or TRL for short, both furthered the popularity of music videos… and led to their demise.  I mean, what’s better than a show devoted to showing music videos?  Oh, wait — TRL, not unlike commercial radio, ended up circulating only about ten popular videos on any given day.  Oh yeah, and the show only aired clips of those ten music videos!  What?!  Who decided on this format?  No wonder they finally took it off the air!

To be fair, I heard that the show had recently adopted a more progressive format, utilizing online resources to poll viewers, etc.  But I stopped watching the show loooong before that.

Anyway, back to the music video I just watched.  I was on Yahoo and saw a link to Coldplay’s new music video for “Life in Technicolor II” — it’s a great one!  I was impressed with the overall progression of the video, as it documents a children’s puppet show that turns into an all-out rock’n roll concert that includes the puppet versions of Chris Martin and company playing their instruments, and Martin not only jumping around (hanging as though suspended in the air as he sings “Now my feet won’t touch the ground”) and crowd surfing.  It ends with them being picked up, in true rock star style, by a helicopter that exits the room by smashing through a window.  Which begs the question… how did it get in in the first place?

And this is wonderful…

…except for the fact that the Barenaked Ladies already did this!  Certainly, Coldplay’s video is not a plagiarism of BnL’s music video for “Pollywog in a Bog” last year (I wonder if they even saw it), but it seems odd that they did a puppet show so soon after BnL.  I guess that just goes to show how ahead of the curve they are.  If you haven’t seen these videos, you should definitely go watch them.  BOTH of them — it’ll be worth the six minutes of your life it will take!  (Just search on YouTube for “Barenaked Ladies Pollywog” and “Coldplay puppets”).  The BnL video is especially worthwhile, if only for the really cute animal puppets that look creepily similar to the respective band members.  Such a fun and funny video!!

Okay, so back to my video for tonight…

Those of you who regularly frequent the blog will already know that my goal this year is to tie every “Chris Moore Monday” in somehow with the following New Music Tuesday.  So, you may be wondering what a J.J. Cale song that is over four decades old has to do with new music…  Well, J.J. Cale is releasing a new album tomorrow entitled Roll On, his first solo album since 2004.  His most recent success was The Road to Escondido, an album recorded in 2006 in conjunction with Eric Clapton.  This was certainly not their first interaction, as Cale wrote the songs “After Midnight” and “Cocaine,” both of which Clapton popularized.  When I was growing up, my dad would often play his “Cream of Clapton” greatest hits, which included both of these songs.

Thus, it is my honor to bring you an old Cale track in honor of his new release, which (again) comes out tomorrow.  This song may have been written in 1966, but he’s still writing and recording in 2009 at the age of 70, and that is nothing short of amazing!

See you next session!

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“New Kid On The Block” (Barenaked Ladies Cover)

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By Jim Fusco:

Hey HEY!  Welcome to your, as Jeff put it, Fantastic Friday edition of the Laptop Sessions here with me, Jim Fusco!  Glad to be here today, but I’ve been incredibly sick the past few days.  I have the worst head cold…  I’ve already lost two nights’ sleep to it.  I was actually saving this video because we Mike did a BNL song recently, but I put this one first because I’m not sure how well I’ll be by Monday when we’ll be doing “New Bands Week” here.  I have a new band video already recorded and ready to go, so I bought myself until Thursday when I have to record another video.  I can only assume I’ll be better by then!  Actually, I have literally sixteen or seventeen songs ready to record.  I’ve been practicing like mad over the past month and these videos, once recorded, will provide me with almost two full months worth of videos.  In that pool of songs, there’s also TEN new bands!  So, I’m working hard every day to bring fresh viewers to the music video blog and to keep all the regular viewers excited.

Today, I bring you a song that I really love called “New Kid On The Block”.  What perfect timing, too, as the “classic” early 90s band “New Kids on the Block” is in the middle of their “anticipated” reunion.  They have a new album out and everything.  This song is literally about being a member of the band.  Steven Page of Barenaked Ladies wrote this song for their first album, “Gordon”.  What a great satire.  At the time (1992), the New Kids were both “new” and “kids”…well, not really, as you’ll hear in the lyrics of the song.  But, they were popular, nonetheless, and Page must’ve thought it would be funny to write a song from the point of view of one of the band members.

Some of my favorite all-time BNL lines are in this song, including “Well we may not write the songs we sing, but look at Elvis, he sold his soul and you crowned him King.”  The New Kids are pretty much everything I hate in a band, and BNL is truly everything I love in a band.  That’s why this song is just about perfect in my eyes.

One of the other parts of the song I love is at the end with the inclusion of a few New Kids on the Block songs.  I don’t know how I did it, but I managed to incorporate those parts into my solo acoustic cover version here, and all on the first try!

Enjoy the video — recorded just before New Bands Week here on the Laptop Sessions acoustic cover and original songs music video blog!



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“You May Be Right” (Billy Joel cover)

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By Jim Fusco:

Okay, so here’s a bit of an anomaly. Most of us cast members of WCJM.com Free Internet Radio will be surprised, if they’re not listening to the shows as often as I do, to find me playing a Billy Joel song. I want to take this opportunity to clear the air.

If you listen to the Beach Boys’ music through the ages, you’ll hear a progression in the music. The styles may be different as the years go on, but most of it is just building on what was previously there.

Conversely, you can listen to Paul McCartney or the Moody Blues through the years and notice that their song/music styles change with the TIMES. For instance, in the seventies, songs got longer, then got disco-y, then got electronic once they reached the eighties. Around 2000, you heard drum loops and “new age” production on albums from both McCartney and the Moodies.

But, their SONGS and the general “type” of music (rock or pop) stayed pretty constant. I’m not giving any free passes for horrible disco versions (Beach Boys fans can goan at “Here Comes the Night”) or electronica from the early 80s, but at least you still knew it was a “Paul” song or a “Moodies” song.

Billy Joel, for me, falls into two categories, both of which I’ll briefly address:

1. Overrated:

As you’ll note with the bands I like, I tend to stay away from bands that are generally “overrated”. Yes, the Beatles are lauded all the time, but it’s pretty clear they’re the ONLY band that deserves the accolades they get. But, Brian Wilson and the Beach Boys NEVER won a Grammy for their songs (unless you count “Best Instrumental” for “Mrs. O’Leary’s Cow” a few years ago- what an insult). The Moody Blues STILL aren’t in the Rock’n’Roll Hall of Fame. I don’t think America’s had a decently reviewed album in Rolling Stone since their first one.

But, look at who gets ALL the attention:

– Bruce Springsteen
– Elton John (who sells concert tickets like Tickle-Me-Elmos did the day after Thanksgiving)
– Bob Dylan, whom I’m convinced can fart on the microphone and earn a Five Star Rolling Stone review. Don’t get me wrong, I love the man, but he is overrated, as well.

Now, Billy Joel is playing TEN, yes TEN shows at Mohegan Sun Casino here in Connecticut and sold them all out. The man hasn’t done an album in like 15 years and is more popular than ever. I swear more people go to his concerts than have EVER bought his music. And THAT’S the kind of crowd that makes someone so overrated. The “Starbucks” crowd that loves what all the other soccer moms love.

The theme here: It’s not Billy Joel’s fault. I really don’t blame HIM for my dislike of his music.

2. He changes the TYPE of music he plays ALL THE TIME.

As I said earlier, bands I like have changed their styles through the years, either through progression, or just keeping up with the times. But, again- a Beach Boys song was a Beach Boys song, you know?

Now, Billy Joel:

Sometimes, he’s the crooner, singing in that horrid “holier than thou” voice about “regular people” from New York and their stories.

Then, out of nowhere, he’s formed a barbershop quartet in “For The Longest Time”.

Then, he’s some teeney-bopper singing “Uptown Girl”.

Then, 80’s rocker while singing “We Didn’t Start the Fire”.

And, finally, he’s a good old fashioned rock’n’roller on tunes like this one, “You May Be Right”.

What style of music IS this man? Epic piano numbers? Guitar-based rockers? Vocals-only diddies? What?

That question, I cannot answer. And maybe I’m being a bit too general here, as since I’ve noticed this trend, I’ve never gotten past the Greatest Hits.

In closing, I love this song, I love the style, and I wish this was the REAL Billy Joel. I hope you enjoy my rip-roarin’ rendition of this Billy Joel song! (What a rant…)

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